A decade after I decided I needed to "get serious" about my writing career. I already had a master's degree in writing popular fiction and had been writing since I was a teenager. I'd managed to get a couple stories published and enjoyed my first professional sale. At the time, I thought I'd start making a living from my writing within five years.
That didn't happen. I watched other writers, newer writers, achieve the sort of success that I wanted. I kept at it and sold more stories. I made my first forays into indie publishing and it didn't take off the way I wanted. Since I also have a satisfying career as a librarian, I shifted my focus to my library career. I kept a few things going with my writing, but mostly I let it rest for about three years. Now I'm rebuilding, revitalizing my writing career. In this post I'll share four strategies I've found helpful in starting over.
Last week didn't go as I had planned. I took a vacation to head down to Lincoln City, Oregon, for a writing workshop on writing fantasy. I've done several of these workshops taught by Kristine Kathryn Rusch. I signed up for this one (and the Anthology Workshop I went to in February) back when I was finishing my MLIS degree as a sort of celebration of graduating. Despite looking forward to the workshop, I found my stress increasing as it drew closer and I ended up getting sick and leaving the workshop early. It's made me think about vacations and the importance of rest and balance.
Taking risks makes our hearts beat faster. Doing something risky leaves you vulnerable to rejection, disappointment, or failure. Writers face this fear all the time. We might love writing and have fun telling our stories, but that sense of risk can hurt our work. It's possible to take risks with confidence, overcome our fear, and live with greater freedom in our life and our writing.
Writing and depression both factor into my life. For the longest time, I didn't know that I suffered from depression and anxiety. It showed in many ways, the worst that I presented a positive face in public but my family saw the downside of keeping up that smiling depression. Fortunately, a couple years ago a major depressive episode actually helped me realize I needed assistance, that doing so wasn't a sign of weakness.
I'm setting up my site so that I can sell direct to readers. I still plan to offer my books through the major retailers. Selling direct offers many advantages for both authors and readers. I'd planned to do this years ago, but at the time it was a much more difficult thing to set up. Today, many tools exist to make direct sells easier than ever. This post isn't about the details of setting it up so much as why consider it at all?
I just spent over a week on the Oregon coast attending the 2018 Anthology Workshop run by WMG Publishing's Dean Wesley Smith, Kristine Kathryn Rusch, and Allyson Longueira. The other editors this year included Denise Little, Ron and Brigid Collins, and Mark Leslie Lefebvre. Plus nearly fifty professional writers who wrote stories for six different Fiction River anthologies and Pulphouse Magazine. How was it? Fantastic and intense.
The view out my window shows gently falling snow and frosted fir trees. Pretty, so long as I'm sitting here looking out the window. Less so when I head out later to pick up my sick dog from the vet. What does this have to do with life rolls? What are life rolls?
I didn't think about cash streams when I started writing. My basic understanding was that I'd write something, send it out, and I'd either get paid for it or not. Of course, this was back before the Web and before the current age of self-publishing (which has been the model in the past). I wasn't thinking about cash streams or about different ways I might use the copyright on that work. I also didn't consider how long I could continue to benefit from my intellectual property.Continue reading
Fear is a serial killer. Creativity, productivity, confidence—fear kills them all. And writers often fear many things. Rejection tops many lists in its various guises. We might rework a story or novel because on a deep level we feel it is not good enough. We develop rituals to handle the fear even if we fail to recognize that the real problem is that we are afraid.
Realizing that your novel (or story) doesn't matter will set you free to create without limits!Continue reading